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| Latest Conferences and Presentations: |
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| Oct. 2020 |
Not Used to Using a Microphone for two-channel audio
Zrenjanin–Kragujevac–Smederevo–Pancevo–Kanjiza–Novi Sad–Belgrade, Serbia |
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| Nov.-Dec. 2019 |
One and a Half for Piano, Toy Piano
Zrenjanin–Kragujevac–Smederevo–Pancevo–Kanjiza–Novi Sad–Belgrade, Serbia |
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| Feb. 2019 |
Continuous Prayer for Soprano, two-channel audio
New Music Jackson, Belhaven University, Jackson, Mississippi, USA |
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| Oct. 2018 |
Well-Known Routine for two-channel audio
National College Music Society Conference, Vancouver, British Columbia, Canada |
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| Feb. 2018 |
Well-Known Routine for two-channel audio
Ammerman Center for Arts and Technology, Connecticut College, New London, Connecticut, USA |
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| Feb. 2018 |
Po-La-Ko for Violin, Piano
New Music Jackson, Millsaps College, Jackson, Mississippi, USA |
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| Oct. 2017 |
Well-Known Routine for two-channel audio
Sound/Image 2017, University of Greenwich, London, England |
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| Sep. 2016 |
Suspension for Piano
25th International Review of Composers, National Bank of Serbia Hall, Belgrade, Serbia |
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| Sep. 2015 |
Mechanical Theme for Tenor, Piano, 2 hand-operated Music Boxes
Concert Performance, National Theatre "Rasa Plaovic", Belgrade, Serbia |
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| Jun. 2015 |
Momentous for Clarinet, Bassoon, Piano
"Kolarac" Concert Hall, Belgrade, Serbia |
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